Showing posts with label Steven Spielberg. Show all posts
Showing posts with label Steven Spielberg. Show all posts
11/12/09
Duel- Essay
On Spielberg's first tv film, a mediocrity ripped off from assorted 1950s tv shows like One Step Beyond and The Twilight Zone.
6/6/09
The Thin Red Line
I've not seen the 1960s film version of James Jones' novel, which is supposed to be more in sync with the novel, and starring Keir Dullea (2001: A Space Odyssey), but Terrence Malick's The Thin Red Line (1998) is his greatest film.
I recall seeing it in the theaters, and immediately knew this was a great film, way beyond Steven Spielberg's schlockfest on D-Day and after, Saving Private Ryan.
A clip:
I recall seeing it in the theaters, and immediately knew this was a great film, way beyond Steven Spielberg's schlockfest on D-Day and after, Saving Private Ryan.
A clip:
Happy 65th B-Day D-Day!

Don't let Spielberg's bad movie ruin the reflection of this day.
"Did I live a good life? Tell me I'm a good man..."
Here's a quick doc:
5/10/09
Bicentennial Man
While resting up after a hard week of work, I flipped the channels and came in about five minutes after the start of this film, based on an Isaac Asimov tale, and directed by, of all people, Chris Columbus, that Ron Howard wannabe.
The first hour or so is very good, far better than Spielberg's A.I. Then the film transitions from the robot version of Andrew to a flesh and blood Robin Williams. While the film does not outright tank, it does become a 'Robin Williams' film- i.e.- a tearjerker. But, in a good sense.
The tale is strong enough to overcome the predictability of Williams' character- Andrew- in his quest for humanity and, yes, love. But, with a better script (and a different lead actor), it could have been a great film, rather than a merely good one.
The first hour or so is very good, far better than Spielberg's A.I. Then the film transitions from the robot version of Andrew to a flesh and blood Robin Williams. While the film does not outright tank, it does become a 'Robin Williams' film- i.e.- a tearjerker. But, in a good sense.
The tale is strong enough to overcome the predictability of Williams' character- Andrew- in his quest for humanity and, yes, love. But, with a better script (and a different lead actor), it could have been a great film, rather than a merely good one.
Labels:
A.I.,
Bicentennial Man,
Isaac Asimov,
Robin Williams,
Steven Spielberg
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