It's amazing to look at this intelligent and provocative film, and then realize that what followed was American Graffiti, and three plus decades of juvenilia known as Star Wars (aka Film Franchise Ripping Off Isaac Asimov's Foundation Series Without Any Remuneration).
Here is a clip:
As I wrote in my review:
'In the commentary, Lucas vows that now that he has finally done with the Star Wars films, he is set to return to avant-garde filmmaking of this sort, and his heroes from the French New Wave. Let’s hope so, because after three decades of dumbing down the art of film with his simplistic and pallid Joseph Campbellian rot, the man owes literate filmgoers, and owes us big time for he became, wittingly or not, the very thing that his great first film excoriates, and, if the commentary is to be trusted, he still does not get it. Let’s toss him a softball and pray for the future.'
Still holds true, yessireebob!
Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts
9/17/09
THX 1138
Labels:
American Graffitti,
George Lucas,
Star Wars,
THX 1138
4/18/09
New Star Trek Film
Here are some trailers:
Ok. It's clearly more in the vein of a Michael Bay film than the classic Star Trek ethos. Also, director J.J. Abrams was a Star Wars, not a Star Trek, fan; and also brought such tv schlock as Felicity, Alias, and Lost into culture. On the other hand, the Star Trek franchise has never lived up to the original series (in sequel series or films). So, a dying franchise and a schlock tv hack- could they somehow alchemically be good?
Ok. It's clearly more in the vein of a Michael Bay film than the classic Star Trek ethos. Also, director J.J. Abrams was a Star Wars, not a Star Trek, fan; and also brought such tv schlock as Felicity, Alias, and Lost into culture. On the other hand, the Star Trek franchise has never lived up to the original series (in sequel series or films). So, a dying franchise and a schlock tv hack- could they somehow alchemically be good?
4/17/09
Fuck Star Wars!
Ming the Merciless.
As a child I recall my dad telling me of the ultimate baddy from his fave serial of all time, the original Flash Gordon from 1936, starring Olympic swimming hero Buster Crabbe.
See a clip:
These serials- Flash Gordon, Buck Rodgers (also with Crabbe), The Phantom Menace, and many more) were not only staples of movie theaters in the 1930s and 1940s, but of early morning public television on weekends in 1960s and 1970s New York City. Watch any one of them, and they are so much more inventive and operatic than the lame shit that was Star Wars. Toss in the Yellow Peril meme, and fun galore. And, interestingly, George Lucas touted his crap (a blatant ripoff of Isaac Asimov's Foundation books) as being more realistic than these serials because of the then state of the art special effects. Yet, if one looks at the original 1970s effects, they are as badly dated as these are, but they don't have the fun stories and 15 minute episode structure to fall back on.
This was essential storytelling, something modern cinema lacks. Is it any wonder that Lucas keeps revising his older films, mostly with updated special effects? Why? Because the actual story sucks ass! Charles Middleton, however, as Ming, kicked ass!
As a child I recall my dad telling me of the ultimate baddy from his fave serial of all time, the original Flash Gordon from 1936, starring Olympic swimming hero Buster Crabbe.
See a clip:
These serials- Flash Gordon, Buck Rodgers (also with Crabbe), The Phantom Menace, and many more) were not only staples of movie theaters in the 1930s and 1940s, but of early morning public television on weekends in 1960s and 1970s New York City. Watch any one of them, and they are so much more inventive and operatic than the lame shit that was Star Wars. Toss in the Yellow Peril meme, and fun galore. And, interestingly, George Lucas touted his crap (a blatant ripoff of Isaac Asimov's Foundation books) as being more realistic than these serials because of the then state of the art special effects. Yet, if one looks at the original 1970s effects, they are as badly dated as these are, but they don't have the fun stories and 15 minute episode structure to fall back on.
This was essential storytelling, something modern cinema lacks. Is it any wonder that Lucas keeps revising his older films, mostly with updated special effects? Why? Because the actual story sucks ass! Charles Middleton, however, as Ming, kicked ass!
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