Jean-Pierre Melville was perhaps the French equivalent of John Frankenheimer, making stylish thrillers that were light fluff, yet a bit more daring than Alfred Hitchcock's films.
Le Samourai starred Alain Delon, and is a solid film with a good premise, but one that shows the French never really were able to separate realism from Hollywood's version of it, at least in regards to gangsterism:
Showing posts with label Jean-Pierre Melville. Show all posts
Showing posts with label Jean-Pierre Melville. Show all posts
10/16/09
8/9/09
Francois Truffaut And French Cinema
Francois Truffaut is one of those directors who is solid, competent, but has little to say. Unlike his bitter rival, Jean-Luc Godard- who had some technical talent, but slathered on his politics with foot thick butter, Truffaut was sort of like his gastronomic foodsake, truffles.
His films are wan, filigreed, and after a second viewing, you realize just how little was given to you.
Of all the French filmmakers whose work I've seen- admittedly only a dozen or less, the only one who seemed consistent was Jean-Pierre Melville, and even his films are lightweight. The only ones who reached greatness were Alain Resnais, Louis Malle, and Robert Bresson, and even their work is hit and miss.
I shall watch more, but French cinema (at least that I've seen) seems to pale next to the Italians, and even the Brits. The Spanish are equally hit and miss, as was New German Cinema- let's face it, after Werner Herzog, it is a long, steep cliff.
Anyway, here's to Truffaut:
His films are wan, filigreed, and after a second viewing, you realize just how little was given to you.
Of all the French filmmakers whose work I've seen- admittedly only a dozen or less, the only one who seemed consistent was Jean-Pierre Melville, and even his films are lightweight. The only ones who reached greatness were Alain Resnais, Louis Malle, and Robert Bresson, and even their work is hit and miss.
I shall watch more, but French cinema (at least that I've seen) seems to pale next to the Italians, and even the Brits. The Spanish are equally hit and miss, as was New German Cinema- let's face it, after Werner Herzog, it is a long, steep cliff.
Anyway, here's to Truffaut:
8/7/09
Le Samourai
One of Jean-Pierre Melville's best films, and a chic classic whose only real flaw is its ending.
The trailer:
I'll have a full review of this in the near future.
The trailer:
I'll have a full review of this in the near future.
8/1/09
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