6/26/10

Kar-Wai: 2046



I mentioned kar-Wai more than a year ago: In The Mood For Love. Tonight I revisited the last piece if his trilogy:2046.
This movie gets better with a second visit, the non-linear narrative that involves multiple characters becomes a bit easier and some minor details are clearer. 2046 is a good movie, in fact it's a very good one if you don't mind the self-indulgent story. The protagonist from In The Mood For Love is -again- in the center, he is a martial-arts novelist who is trying to overcome - via writing- his loss of the woman he wasn't able to keep. The movie is also about coping with memories and in some moments it borrows from Resnais' Last Year in Marienbad.




Kar-Wai used the Australian Christopher Doyle (as usual in Kar-wai's) for the cinematography of both movies and in my opinion they are both Doyle's best work (He did a good job in Paranoid Park too). Both movies are worth watching on mute and with no subtitles only for the sake of the stunning visuals: the indoors framing, the color tones, the perfect editing... etc.



Kar-Wai's sound track is well done and fits the whole mood (for love), he borrows a theme from Kieslowski's Decalog:




This is the US trailer



This is one of the main musical motif in 2046:




2046 can be watched and understood without watching In The Mood For Love but I wouldn't recommend doing that. Overall I think that both movies are amongst the very very few decent ones made about lost love and memories that leave the viewer thinking even after the movies are over, and the following day one discovers (based on the visual memory alone) some hidden details he/she missed here and there.